![Corey Escoto Volume for Volume Regina Rex](web images/updated photos/RRInstallFrontalSM.jpg) |
Volume for Volume, Regina Rex (installation view) |
![Corey Escoto Regina Rex Volume for Volume](web images/updated photos/7_SetPieceCheetosPlantMirror.JPG) |
Volume for Volume, Regina Rex (installation view #2) |
![Regina Rex Corey Escoto](web images/updated photos/8_RRinstallSM 2.jpg) |
Volume for Volume, Regina Rex, (installation view #3) |
![Corey Escoto Photosculptures](web images/updated photos/CompareHouseCardsSetSM.jpg) |
Side-by-side documentation of a multiexposure polaroid photograph (left) and a similiar looking sculpture (right). The photographs are created through a process of cutting stencils and exposing the film, in camera, section by section, until the whole photo is exposed. The resulting image then serves as a pictorial blueprint that directs the construction of a sculptural response. This process reorients the relationship between the the protographic image and the object. |
![Corey Escoto Cheeto plant](web images/updated photos/4_MirrorCheetosPlantsFramed.jpg) |
There's Air in the Bag, Fuji Color Instant Film (polaroid) 4" x 5" |
![Corey Escoto Cheetos Mirror](web images/updated photos/8_mirrors.JPG) |
Volume for Volume, Regina Rex NY, (exhibition detail) |
![Corey Escoto Circle](web images/updated photos/9_lanieppe.JPG) |
Salt Horizon, pleximounted injet photo fragments |
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